It takes some playing with the settings to get this just right. But the instant they get unnaturally hissy, they’ll get turned down just enough to make them sound normal. Smart tool huh?Īs long as the “s” sounds are normal for human speech, they are left untouched.
Wavepad audio editor sound too loud software#
The fastest way (may require a paid plugin)Ī de-esser is simply a tool - found in most sound editing software programs - that zeros in on a certain group of frequencies (like 4-10KHz or 5-8KHz, etc.) and will turn the volume down in that region, but ONLY when it gets TOO loud. So if you knew that vocal sibilance mostly hung out between 4 KHz and 10 KHz, you would know where to start looking for your particular brand of hiss sounds occur so you could fix it. Likewise, high sounds like the sizzle of a high-hat, can be found hanging out around 6,000 Hz (or 6KHz for short). So we can then we use an EQ to turn down (or up….but usually down….never mind) the bass by ONLY turning the volume down around 80-100 Hz. If we know, for example, that the "bass-y, boom- y parts of a bass guitar will most often be found around 80-100 Hz. No it IS interesting! Don’t argue with me ). What’s most interesting about this fact is that certain familiar sounds “live” at predictable frequencies. In practical terms, most adults are going to have trouble hearing anything over about 13,000 Hz. If you are familiar with the range of human hearing and the use of EQ (equalization) tools in audio (see my article about EQ here: What is Equalization, Usually Called EQ?), you’ll know that people can only hear sounds that exist between the frequencies of 20 hertz (HZ) and 20,000 Hz. Where does sibilance live on the frequency graph? The fast way (especially if you have a long file)īut both methods work because of the predictable frequencies where sibilance happens.So I'll mention two different ways to do this: One good thing about a de-esser is that you can apply the effect to the entire track at once. You’ve may have heard of something called a “de-esser,” yeah? de-essers are effects that are designed to filter and tame all instances of sibilance, while leaving the non-sibilant part of the audio alone. Just know that if you do any recording or audio editing of human voices, you will periodically be faced with sibilance that cannot make it onto the final version of the audio file. There are lots of reasons why this might happen, over-compression (see more info on compression here: Improve Or Ruin Your Audio With an Effect Called Compression and Vocal Compression Using Reaper’s ReaComp Effect Plugin), wrong kind of mic for that voice, too much reverb effect, etc.
Wavepad audio editor sound too loud free#
The good news is that you can use free sound editing software to fix this! You’ll be listening to the recording, and everything will sound great, until the speaker/singer utters the phrase “she sells seashells by the seashore,” and pierces your eardrums. The word "sibilance" refers to a sharp, biting hissing sound that happens whenever the recorded voice utters certain consonant sounds, especially the “S” sound (or sh, ch, etc.). If you didn’t already know what sibilance meant, my odd spelling above may have clued you in. Adjust it to taste.One common problem with recording the human voice is sssssomething called "sibilance." You will, however, experience a bit of a "compressed" sound to it, which is simultaneously more of a "studio" sound, but it brings with it some mild distortion. You can use this to lower your voice's volume. A 3:1 ratio, for example, means that any audio above the threshold will be one third as loud as it would be without the effect. That point is called the threshold, and amount of reduction is called the ratio. What this does is proportionally reduce any volume louder than a certain level. Most of those packages aren't free, though.įailing this, one way to bring the quietest and loudest parts together on the same track is by using a compression effect. I don't know if you can set this up in Audacity, but you should be able to do this in most DAW programs with a bit of diving into the manual. You may want to look into ducking your game audio so that it automatically lowers in volume whenever you're talking.
Ideally, you'd have those on two separate tracks, so that you can adjust their volume (or other properties) separately. If I've understood you correctly, the basic problem is that you have both your recorded source audio (your game, in this case) and microphone input recorded together, which is to say, on the same track in Audacity.
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